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“Kristie Chiyere Osi Shackelford’s costumes speak volumes, from the colorfully shabby island-wear of the denizens of Port-au-Prince to Micaela’s tasteful blue dress. Shackelford traces the evolution of Carmen’s character via her wardrobe, transitioning from a revealing peasant blouse and skirt to a Jackie Kennedy-style suit. Escamillo, in a fedora and three-piece suit, is described in the plot summary as the head of the Macoute, but as organizer of illegal fights, he is given the honorific “toreador.” (This is, admittedly, a stretch and it doesn’t keep the final scene with the bullfight from being unclear.) The wittiest costume is Remendado’s decade-behind-the-times attempt to look cool as a 1950s greaser, complete with ducktail.”

—Joanne Sydney Lessner

Opera News 4/3/2021

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“The detail work that they've done on these costumes to make them accurate, They're beautiful”

-Zoie Reams

Pictured:

Zoie Reams as Marian Anderson in Marian's Song

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“ Kristie Shackleford's costume design also hits the right notes down to the shoes that cause friction between two of the men.​”

-Brett Cullum 


Broadway World May. 18, 2018  

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